Khrux

To be fair, modern AI voices sound pretty real. Making it artificial would have been a tell in it’s own right.

I thought the same. I assumed it was just people censoring themselves when they wanted to say son of a bitch in front a child, or anyone else who it’s taboo to swear in front of.

Do you mean should add RCS as in they’re expected to, or should add RCS as in “that would be wise”?

This film won’t happen. Skibidi toilet had 15 mins of fame for generation alpha and only had legs from older generations not understanding it because it’s toilet humour and absurd.

The kids already don’t care about it. If the Minecraft movie went through development hell for 10 years, this movie is not getting made when they realise the kids already don’t give a shit.

I’m a 50/50 toss up between two reasonably different genres.

The first is coming of age films, particularly queer ones. My go to film to call my favourite is Call me By Your Name, I also love Stand By Me, Aftersun and have a huge soft spot for Kiki’s delivery service.

The other ‘genre’ is dramas / thrillers that get pretty fixated on madness, particularly from the protagonist. There will be Blood is my go to second film to say, and I love Apocalypse Now, Perfect Blue, The Witch and The lighthouse.

I’m not as much fan of when the genres overlap however, although that may be because of how small the sample size is. There are quite a few films that have a young protagonist who is finding themselves, who may end up idolising another to the point that the film falls into being a thriller. We had Saltburn last year, which people often compare to The Talented Mr Ripley, and I do enjoy these films but I never get that milestone feeling that I’ve just experienced a piece of media that has profoundly impacted me. The only thing that exists in this shared space is one of my favourite novels; The Picture of Dorian Gray.

I’m born in 98’ so I’m right down the middle but generally classed as the last of the millennials.

I feel a lot closer to zoomers, but where I’m from, I think the people who have fast-tracked adulthood with kids and mortgages are textbook millennials where as layabouts like myself share a lot more spaces with young adult zoomers.

I’m already needing to remind myself that some of the deepest internet brainrot like skibidi toilet is not a new phrase but a meme of the hour started by generation alpha and then carried by confused millennials.

Hey that’s exactly what my rent / wage split was in the UK last year. The only reason anything got better is that minimum wage went up while my rent hasn’t yet.

I honestly don’t think Lemmy will function well without a way for identical communities across different instances could subscribe to eachother, allowing a single feed of information. This would stop the instances splitting the userbase.

Early Reddit had a subreddit for everything, but most were dormant. However as soon as you posted on it, enough people had it on their front page that you’d get a response. I think Lemmy feels very similar to how Reddit did 10 years ago, except many of the dead communities are totally dead.

No.

This isn’t my standard instance but I do take a look at it sometimes. I’m definitely very far left leaning, I don’t have a label that clearly fits me but I’m probably close enough to anarcho-communism or syndicalism. I live in the UK so it’s pretty common for my views to fall further left of the USA.

I’m not particularly good at actually adhering to my own views, infact I don’t think I’ve ever done e anything substantial to bringing my ideals into reality. My dream would be for small federated housing / workers co-ops and unions to get a good handle in my area, and then have the stability to grow.

The crucial reason I’m not a tankie is that I actively oppose top down leadership structures, and I’m actually more against authoritarianism than I am against the right, but I feel that in my country, conservatism and authoritarianism are deeply linked, and a bottom up power structure would do more to actively oppose facism and power consolidation than a far left authoritarian regime.

In short, No. My principles may make me a commie, but I’m an anarchist first.

I just always give too much context to my stories, and quickly realise that I’m giving context for context for context and cant remember my point.

My closest friend is very similar here though, and we can have great long conversations that are 20 layers deep of tangents and forgetting our original points. We also sometimes yell ‘pin’ at eachother as a shorthand for ‘lets put a pin in this’ which basically means that at some point we’re trying to remember what we wanted to say at that point because it was fun.

Often when I try to copy other people’s facial expressions, I realise I have no control over my facial muscles if I try to move just the left or right side. It’s absolutely fine if I move both sides at once but I literally can’t even sense the muscle to move it when I try one side, but my friends can. I can wink though, but I used to do it very unnaturally.

Indie also covers an enormous financial area. People generally group games into AAA, Some nebulous middle ground games that are generally produced by the major studios but aren’t AAA and Indie.

There is a difference between indie games that sell millions of copies vs dozens and this lack of discrepancy makes this complex. I once pirated a game called infernium after seeing a friend play it on switch, then learnt that it’s an absolutely tiny game by a solo developer. I happened to adore the level design and lore of that game so much that I bought it on steam and then bought all of his other games too just to support him.

On the flipside, we refer to a game like Hades as indie. I love supergiant games and have purchased all their titles but I would have felt zero remorse at pirating Hades.

Maybe the only thing that I feel is sad in all of this is that the massive AAA games takes years to be cracked nowadays, which means only indie games are pirateable. I don’t like the unfair dichotomy this creates. There are probably a reasonable amount of people who pirate indie games and buy AAA games for this reason, and that’s bad for industry.

I started regularly using Reddit in 2013 and r/funny was general low quality spam from there sites, with A LOT of reposts, basically all content was the same content on loop. r/adviceanimals was huge and was basically a mashup of shower thoughts, jokes, off my chest and general opinionated statements, and it was huge. r/f7u12 was big but already seen as declining and cringe.

The humour here isn’t just Reddit style, the enormous amount of shitpost humour here is reflected in basically all “taking to chronically online strangers” community on the internet, from twitter to discord etc. I’d say shitpost humour outweighs all the other humour in this site.

What Lemmy absolutely does have in common with old Reddit is the userbase being a bunch of trekie programmers. It used to be tech support on their office computers and now it’s software developers on their home Linux machines but the way people talk and act is really similar. In old Reddit days, it was so easy to assume that whoever you spoke to was in work that it was the normal assumption, and you’d see a massive uptick in porn on r/all when evening hit in America. Summer Reddit was a name given to the school kids who’d suddenly swarm the sites in the summer holidays during office hours, and the average age and humour had a noticeable shift.

Lemmy now feels like a site of similar in their 30s but they don’t have 9-5 desk jobs where they browse Lemmy all day, so the hourly and daily trends don’t really align like they used to, now it’s all the classic trends at once as teenagers use Lemmy on their phones in school and work from home means people are shitposting and jerking off all day and night.

There was an edgy but very fun indie game a few years ago (maybe 5-6?) where one player played as a parent running around and childproofing the house while the other played as the baby trying to kill themselves. The game was surprisingly fun, and weirdly putting the logic you’d heard your entire life to keep children safe to die was always quiet funny, from getting forks to plugs to filling the bath etc.

Taking inspiration to make a game in a psyche ward in a jail break / death is victory multiplayer game would probably make for a popular streaming game, although the topic is as horrible as the baby death game, perhaps worse because instead of being in the role of a silly unfortunate baby, you’d be in the role of somebody fully aware and acting with premeditation.

This is my favourite, it’s a little cheesy and fun, but it doesn’t have my biggest issue with the Reddit one which is for some reason acting like it’s a birthday party.

Id assume that’s a liability thing? I’m not too sure as I believe it’s legal to be topless in NYC, although probably not Dublin, but it’s almost definitely not a crime to show 9/11 imagery.

I was so amazed at how common they were. I spent a year in Australia and probably saw more kangaroos day by day than I see all wild animals combined day by day here in the UK (excluding birds).

Hell I grew up in North Wales and may have seen as many kangaroos day by day as I saw sheep here, and that’s saying something.

I love sync and it’s been my go to app for a decade across reddit and Lemmy, but I find it’s advertising and pro features far more frustrating now than ever before.

The dev also takes long breaks but I don’t mind this as his work while he’s active is really really good and fast.

If you already use revanced manager for YouTube or other apps, there is an ad free patch for an older version of sync which has an easy APK to seek out, which is recommend.

This isn’t a perfect example but Cormac McCarthy has been my favourite author for years now, and his first major work Suttree was from '79.

My all time favourites novel is Blood Meridian from 1985. If you’re familiar with metamodernism, which is basically very modern works that have their cake and eat it when it comes to modernist ideals and postmodern critique, you’d clock that practically every western is either a modernist white hat western or a metamodern “the west is grim and hard, but also fucking cool” western. The only straight postmodern takes on the west that I know of are either Blood Meridian or pieces of work that take direct notes from it, such as the films Dead Man from ‘95 (except maybe the Oregon Trail video game from. 85’). Blood Meridian otherwise is a fantastic novel which meditates on madness and cruelty, religion and fate, race, war and conquest and so many other themes. It also has one of the best antagonists ever written in Judge Holden, a character who I would have called a direct insert of Satan if not for the fact that his deeds and the novel as a whole are closely inspired by true events. I feel the novel takes inspiration from Apocalypse Now, specifically the '79 film and not Conrad’s 1899 novel Heart of Darkness. If you enjoy that film, you’re likely to enjoy this book. The opening and closing chapters are fantastic, but I often find myself re-reading chapter 14. It has some of the best prose and monologues of the entire novel, and encompasses in my opinion the main turning point of the novel.

His other legendary work is The Road, a 2006 post-apocalyptic novel. I’ll talk on this one less but as our climate crisis grows and our cultural zeitgeist swings more towards this being the critical issue of our time, the novel fantastically paints itself as both a fantastic warning to our 21st century apocalypse and the unresolved 20th century shadow of nuclear winter. Despite this, it hones in on a meditation of parenthood and could be considered solely about that, with other themes of death, trauma, survival and mortality being explored through parenthood. Of course the unsalvageable deatg of the world that make the setting also makes this theme extra tragic. There is an adaptation into a film from 2008 but it isn’t anywhere near as potent as the novel and I’d suggest should only be seen in tandem with reading the novel. The prize of this novel has really evolved to fit the novel too. McCarthy is renowned for his punctuation lacking prose, but where Blood Meridian is practically biblical in its dramatic and beautiful prose which juxtaposes the plain and brutal violence, The Road sacrifices no beauty in it’s language but is so somber and meanders from mostly terse to so florid, while also always perfectly feels like how the protagonists are seeing their world.

I’ve been trying to get a LAN party together with some IRL friends for a little bit, but we all are so different in experience level that even playing vanilla, we’ll inevitably have some people run rings around others.

My current pitch is that we all share one house and bolt different spaces of different styles onto the sides of it whenever we need a new space, share all resource except a small personal chest and the experienced players can only do specific tasks like going caving or into the nether if it’s as a whole group, so the newer players get to experience some of those parts fresh.